MAME VS. DOLLY: THE TITLE SONG FACE-OFF By Peter Filichia
What’s the best production number I’ve seen in more than a half-century of attending musicals? “Who’s That Woman?” from Follies, of course. Second place? “We’ll Take a Glass Together” from Grand Hotel, natch. And who gets the brass ring of third place? The title song of Mame, the musical’s first-act closer, which Broadway came to […]
THE WAGON IS NOW NOT ONLY PAINTED BUT ALSO FILLED By Peter Filichia
The spanking new and sensational recording of Paint Your Wagon reiterates how prurient we were back in 1951. Need proof? Just dust off the original cast album and listen to “In Between.” RCA Victor’s fifth cast album had James Barton, playing San Francisco 49er prospector Ben Rumson, admit to a prospective wife that he wouldn’t necessarily be […]
And Bravo to Giovanni By Peter Filichia
“And the nominees for Best Musical are A Funny Thing Happened on the Way to the Forum, Little Me, Oliver! and Stop the World – I Want to Get Off.” So heard the elegantly dressed audience at the 17th annual Tony® Awards, April 28, 1963 at the Hotel Americana (now the Sheraton New York Times […]
Do I Hear a Waltz?: Encores, Encores! By Peter Filichia
I expect the applause to be pretty titanic at City Center this week when the third and final Encores! production of 2016 gets underway. Why not? We’ll be hearing a score that was written by two of the most acclaimed geniuses in the entire history of the American musical theater. One of them primarily worked […]
A Most Happy 60th Anniversary, Fella by Peter Filichia
One musical from the 1955-56 season was recorded virtually word-for-word and note-for-note. In an era when an original cast album held about forty-five minutes of music, this one weighed in at a shade under two-and-a-quarter hours. It required three long-playing records that were packaged handsomely in a box fit for a genuine opera or full-length […]
