When A Lyric Picks Up A New Relevance
By Peter Filichia Every now and then, a lyric written long ago assumes a new and suddenly relevant meaning. That happened with the 1962 TV-special Julie and Carol at Carnegie Hall. It contained a hellishly clever parody of The Sound of Music. Julie Andrews played Mrs. Pratt, a happy-go-lucky Maria von Trapp stand-in who supervised […]
Nuns And The Nazis And Whiskers On Kittens
By Peter Filichia She was one of the most esteemed film critics of all time, but her enviable reputation didn’t stop her from getting fired. Pauline Kael started writing for McCall’s in early 1965 and didn’t even last through all of 1966. She was canned for giving her honest opinions, and the first nail in […]
Forgive Me, Stephen Sondheim
By Peter Filichia So I celebrated Stephen Sondheim’s eighty-fifth birthday on March 22 in a way in which he wouldn’t have approved. I played the original cast album of Do I Hear a Waltz? Once again, for the hundredth or so time that I listened, I was struck with the 1965 musical’s beauty, tunefulness and […]
Paint Your Wagon Returns
By Peter Filichia Let me spell it out for you so you won’t be as disappointed as Homer and Bart Simpson were on January 4, 1998. Simpsons pere and fils went to a video rental store (remember them?) and took out Paint Your Wagon. They figured that any movie starring Lee (The Dirty Dozen) Marvin […]
Added On The Road
By Peter Filichia Can fifty-three years have really passed since I saw my first pre-Broadway tryout? It happened on March 10, 1962 at the Colonial Theatre in Boston where I saw I Can Get It for You Wholesale: Saturday matinee, first balcony (as we called the mezzanine then), Row F, Seat 6, $4.95. I came […]
