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…as Mother sings in THE BAR-MITZVAH BOY, “Still not convinced.” Let’s go to two Stephen Sondheim songs (from successive musicals, no less.) If FOLLIES’ Sally Durant Plummer were at Perfect…

…he’s right – for Chita Rivera created her. If Roscoe, Dimitri Weismann’s major domo in FOLLIES had seen her or even heard Ms. Rivera on the original cast album, he’d…

…and The Huntington Theatre Company of Boston, partly involved Gerry Brinsley, a rabid musical theatre enthusiast. How do we know he’s such a maven? That an enormous poster of FOLLIES…

…FOLLIES in Houston and Seattle. Although you may not be getting the impression that Wells and Maxene ever forgave both Patty and Weschler for their injustices, Wells insisted they did….

…“The Telephone Hour.” The seventies yielded Stephen Sondheim’s “Who’s That Woman?” (FOLLIES) – also known as “The Mirror Number” for good reason – and the best reason why this was…