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SUPERHERO’s Super Score By Peter Filichia
…“The Telephone Hour.” The seventies yielded Stephen Sondheim’s “Who’s That Woman?” (FOLLIES) – also known as “The Mirror Number” for good reason – and the best reason why this was…
N.Y.C.: A THREE-HOUR TOUR By Peter Filichia
…York places you’ve heard about in Broadway stories and songs? As you go “Uptown/Downtown” (to quote a dropped FOLLIES song), you’ll be as wide-eyed as Annie when Oliver (not-yet-Daddy) Warbucks…
N.Y.C.: A THREE-HOUR TOUR By Peter Filichia
…York places you’ve heard about in Broadway stories and songs? As you go “Uptown/Downtown” (to quote a dropped FOLLIES song), you’ll be as wide-eyed as Annie when Oliver (not-yet-Daddy) Warbucks…
MARIAN SELDES’ OFF-HOUR By Peter Filichia
…from ANYONE CAN WHISTLE, just as many from FOLLIES and one each from COMPANY, GYPSY, A LITTLE NIGHT MUSIC, THE MAD SHOW, PACIFIC OVERTURES and WEST SIDE STORY. The one…
Can You Say “Sempre Molto Rubato”? By Peter Filichia
…with passion); FOLLIES’ “Losing My Mind” (“sempre molto rubato”: always very much with some feeling of time); A LITTLE NIGHT MUSIC’s “Send in the Clowns” (“lento”: slowly); PACIFIC OVERTURES’ “Pretty…